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Bartók forever
Mariä Wiegenlied Op. 76 No. 52
Bartók forever
1:38 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
 
Cantio Belgica SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
ARIA: So oft ich meine Tobackspfeife BWV 515/515a
Bartók forever
1:53 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
 
BWV 515/515a So oft ich meine Tobacks-Pfeife
Bartók forever
2:27 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
 
"Im Walde" from "Liederkreis", op. 39, 1840
Bartók forever
1:28 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 34 7 4 100%
Bass 17 12 3 4 100%
Voice Treble 12 0 3 6 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 34 7 4 100%
Bass 17 12 3 4 100%
Voice Treble 12 0 3 6 73%
 
Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
Two Giggs
Bartók forever
2:06 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 17 6 3 6 100%
Treble 17 4 3 5 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 17 6 3 6 100%
Treble 17 4 3 5 97%
Bass 18 16 4 6 84%
Bass 21 16 4 6 84%